Ashley G.
Professor Zoller
Life Narratives
10/29/2012
On
Good Film
Have
you ever gone to see a movie? Have you ever gotten halfway through the film and
been on the edge of your seat? The characters have been developed and they are
at their breaking point but somehow keep going, heading toward their goal. Have
you ever sat in crazed anticipation with your eyeballs practically jumping out
of your skull? The final half of the movie is what you have been waiting for;
you need to know how these characters
are going to save the day or how they are going to pull their broken
relationship back together. Have you ever felt these things and then walked out
of the theatre feeling like the director of the movie was a lazy bum who was
too much of an overpaid indolent jerk to actually come up with a good ending? I
have.
I
really like films. I’ve written an eleven page paper about the mythological
references and allusions in the Star Wars
saga. I’ll watch a good movie dozens
of times and in each viewing I catch something new that I had not noticed
before. “Ooh that was foreshadowing! Oh that’s why he said that. Look at that
character development, the writer made that character really dynamic.” I say. I
will watch a bad movie once and the
curse the director silently in my head and hope that they have a change of
heart and change their profession. I hope that they realize what a horrible detriment
they have done to the film world and repent for their cinematic sins. One of
these sins is the overuse of bad special effects and 3D. (P.S. to directors: making
a movie in 3D does not make it better than 2D. 2D is easier on the eyes and on
the wallet. Note specifically to Disney, I would like a refund for the showing
of Beauty and the Beast I saw in 3D. My
eyes still hurt and the animation looked fuzzy, thank you for blemishing a
piece of my childhood. )
My dad and sister
and I went to see two separate movies on two separate occasions. The first was
a sci-fi thriller and the other was an adventure movie. The latter was the
sequel to a lucrative saga and the former had an actor in it that starred in
one of my favorite movies. We sat down in the theatre with our overpriced
popcorn and soda that should have been from the fountain of youth for the
amount of money we had paid for it. In each instance I was really excited for
the movie, the trailers had been amazing and my dad had taken my sister and me
for the late night showing. What teenager wouldn’t be super excited? The first
three quarters of each movie was great. There was mystery, science, adventure
and the hero of one movie kicking some serious bad-guy butt. Then the last
twenty minutes of each respective movie rolled before our eyes. And twenty
minutes later I was sitting watching the respective credits roll and saying the
same thing. “Aliens? Aliens! Why did it have to be aliens? Couldn’t they come
up with something better than extraterrestrials with a flying saucer?!” Note to
Hollywood big shots, if a writer pitches a movie and it ends with aliens
appearing out of nowhere for no apparent reason, turn them down immediately.
Then tell them to go home and spend the next several days writing an actual
ending to their pathetic excuse for a script.
Lazy directors are
not the only problem I have with Hollywood. I also have a problem with films
that have a weak story. You can’t have a good movie without a good story. Throwing
in seventeen famous movie actors does not a good movie make. In fact it ruins
it. Seriously why would I want to watch a movie and be thinking the whole time,
ok that’s that chick from that adventure movie and oh that’s the guy
from that horrible comedy and that irritating man from that horror film. Why
are they all in eighteenth century England talking in fake British accents? Directors
take a cue from George Lucas, possibly one of the greatest film storytellers of
the century, go find new actors and actresses that can act. Bring in some new
blood, instead of just reusing old blood that makes me think of dozens of other
movies while I’m watching yours. What was I talking about? Oh yeah good story. I’m
not saying that writers have to reinvent the wheel with this one. If you want
to write a Romeo and Juliet or Hero’s
Journey story fine with me but make it good. Give the actors something to work
with besides cheesy lines and pointless action. The Hero’s Journey is an
archetype developed by famous mythologist Joseph Campbell. This archetype is
shown in ancient mythology in the stories of Hercules, Jason and countless
others. It is also the basis for the Star
Wars films, the Lord of the Rings
Trilogy, the Harry Potter Octet and Disney’s The Lion King. In my opinion good films and they all have the same
basic premise. Main character leaves home on a quest then comes home triumphant
with character development in the middle. This archetype has been used dozens
of times over in countless ways. Directors/ writers if you have a bad story don’t
just push it through (or use aliens to tie up loose ends) look at what other successful
people have done and take some cues from them.
So what makes a
good film? There are several things. First have a good plot that makes sense to
someone else besides the writer. Second, have some character development. At
least a few of your characters have to change throughout the movie because of
what’s happening in the story. Third, have everything that happens have a
purpose. If a character is going to break down and have a cry make sure that it’s
for a reason and not just to make the ladies in the audience cry as well. That’s
it really, sensible plot, well developed characters, and purpose. Throw in spectacular
scenery and if the story dictates some good special effects and you have a good
film.